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SHAHAR LIVNE

Designer in residence

shaharyolan@gmail.com

www.shaharlivnedesign.com


Shahar Livne (1989) is an Israeli-born designer located in Eindhoven, The Netherlands. Her lifelong fascinations in nature, biology, science and more developed into intuitive material experimentation way of work during her bachelor studies at the Design Academy Eindhoven. Since 2014, Shahar’s body of work focuses on material research and her work process is characterized by trial and error experimentation in the search for interesting results. Some of her projects deal with obscure materials such as animals blood, man-made fossils, crystallization and more. Her projects starting points are often stories about places, cultures and everyday life, yet, materials are always in the center used as carriers of narratives. Shahar Sees herself as a conceptual material designer with an intuitive and research approach that materializes through written research and expressive objects compositions. currently, she works on developing her graduation projects from the Design Academy Eindhoven where she graduated at in 2017, investigating speculative material occurrences in nature.


Project (2018)

IN COLLABORATION WITH THE MATERIALS EXPERIENCE LAB

Environmental changes, deforestation and the spread of man-made pollutants are inevitably threatening the existence of natural materials and transforming nature as we know it. At the same time, new natural materials which are the result of environmental contamination are emerging, and man-made materials such as plastic are proliferating in our surroundings.

Investigating a post-plastic future, where the only place to extract petroleum-based plastics will be from nature in a new hybrid form, plastics will regain a new value, far beyond the way we see it in our current time.
By creating and developing Lithoplast- a speculative material which might be the result of thousands of years of natural metabolism and its encounter with the "golden spike" of humanity- plastics, Shahar embodies and research questions with this new raw material that can be processed in a similar way to clay and is acting as an ultimate symbol of the transformation of matter and the inevitable shifts of materials between nature, synthetic and cultural aspects.
In this project,  Shahar would like to use the MDD method to explore whether Lithoplast is experienced as natural or synthetic and how she can systematically tailor its qualities to enhance or worsen the experience of naturalness through craftsmanship and design objects.